Wednesday, July 27, 2016

Blight Out Summer Party: A Party With a Purpose

The Memphis UrbanArt Commission recently partnered with Advance Memphis and Innovate Memphis (also known as the Innovation Delivery Team) for a Blight Out Summer Party to celebrate recent efforts to address blight (neglected or rundown areas) in the Vance Avenue corridor in Memphis, Tenn.

Community residents and potential project donors were on hand for the celebration, which included music, face painting, arts and crafts and the unveiling of three artist proposals for addressing blight in the area. The proposals resulted from neighborhood meetings and design charrettes (intense design or planning activities) to identify the needs and desires of the community, as well as ways to transform or activate blighted areas through public art.

“We met with three age groups—school-age children, working adults and retired senior citizens,” said Kate Lareau, director of communications for Advance Memphis. “With each, we discussed how public art can work in a neighborhood and the different forms that it can take.”

During the party, attendees had the opportunity to vote on three proposals, which also will be posted on Advance Memphis’ website for viewing. Voting will continue throughout the week. Advance Memphis also plans to share the proposals with the Senior Living Center at Cleaborn Pointe to involve those residents in the selection process.

“By inviting them to give input about art and location, participants begin to feel a sense of ownership and see the potential for art to affect their space,” said Lareau.

Once the winning proposal is selected, UAC will work with the artist to develop and install the project. UAC also will share the process with interested residents and community organizations throughout Memphis, as well as develop a toolkit as a best-practice model that other local and national communities can use to engage their communities and effectively combat blight in their neighborhoods.

“People are learning that they can change what they see around them—that it's not a mystical process, but something they can make happen,” said Lareau.

For more information, please contact Allison Hennie at or visit

Thursday, July 14, 2016

My Experience at the Americans for the Arts Conference by Lauren Kennedy

I recently attended my second annual Americans for the Arts conference, which is preceded by a smaller conference focused on public art. Last year, I had only been at the UrbanArt Commission for five months and was very much still learning my role as Executive Director while also trying to absorb all of the conversations and information at the conference. (Reading between the lines, I was pretty overwhelmed and very awkward.) I was particularly looking forward to this year’s conference in Boston with a better grasp of my role, the organization and the vision we are working towards. Also, people watching at an art conference is always fascinating.

A growing focus for me and the UAC team has been how can the work we do overlap with other disciplines and industries in a way that creates more buy-in and support for the arts. Feel free to read a previous blog post or view a presentation where I go on a bit more about this… I was heartened to see so many sessions and conversations popping up at the conference that focused on the intersection of the arts and engaged citizenship, innovative communities and equity. Keynote and plenary session speakers all touched on the recent (hate-fueled) tragedy in Orlando and the contentious upcoming election, grappling with how art can interact with and react to these very real and heavy situations playing out around us. One session leader demanded that more and different people need to be responsible for how our cities and experiences are shaped. That artists and art organizers should be part of that process. Donna Brazile, Vice Chairwoman of the Democratic National Convention, counseled that in demanding a seat at the table, you may have to bring your own folding chair.

And in the midst of all of this energy and call to action, Memphis earned some main stage spotlight. The ArtsMemphis’ Community Engagement Fellows Program, led by the fearless Linda Steele, won the first ever Robert E. Gard Award for the intersection of arts and community life. I had the great privilege of participating in this program while working for Ballet Memphis and was invited to help accept the award with a number of other current and past fellows in attendance. What a beautiful and proud moment for a room of 1,500 some odd people to hear about and applaud a program here in Memphis.

You may be able to tell at this point that I came home from this experience fully charged and eager to keep Memphis in the mix of this broader, national conversation. We are working hard to inject these ideas into the work we do and are looking forward to continue sharing that with all of you.

Learn more about the Memphis UrbanArt Commission by visiting our website or following us on Facebook or Instagram

Thursday, June 23, 2016

How to Create a Winning RFP or RFQ Entry


The UrbanArt Commission commissions (hires or pays for) the creation of artwork on behalf of other entities, such as corporations, nonprofits or government agencies. The Memphis UAC often commissions artwork (murals or sculptures) on behalf of the City of Memphis or local businesses or organizations. These projects often are commissioned through a request for qualifications and/or a request for proposal.

A request for qualifications simply prequalifies an artist or group of artists to complete the proposed project. It does not mean the artist or artists are hired to create the work—just that they are qualified to do the work or create the project. So an RFQ usually requires artists to submit a resume or CV, samples of previous works of art and ideas (not designs) for the current project. This process helps generate a strong pool for consideration. So RFQs are preliminary to RFPs, and RFQs are always followed by an RFP.

The RFP is the actual call to artists for their ideas and designs for the commissioned artwork. The RFP may be open to all artists or artists selected through the RFQ process and requires artists to submit background information along with their creative ideas, designs, budget and deadline. A selection committee made up of UAC staff, the commissioning organization, members of the local art community and people living and working around a project site reviews and selects the winning proposal. Winning proposals best meet the criteria, budget and creative needs identified in the RFP. Artists may or may not be paid an honorarium for completing the proposal, but the winning artist will be paid to complete the project. The RFP will indicate the budget for the creative design and fabrication of the artwork.

The first key to winning an RFQ or RFP is providing all the designated information in the format requested. Failure to do this often disqualifies an artist from the process, especially if all other entries provide this information. Additionally, it is important that the artist understands the artistic needs of the commissioning organization and the creative preferences of the community, as well as provides a creative solution to those needs.

Artists should expect to maintain communication with the commissioning organization and the public to ensure the project continues to meet the organization’s and public’s needs and adheres to proposal guidelines. So while the artist provides the creative ideas, he or she must work within the guidelines provided through the RFP. Often, there are approval processes along the way to ensure the project stays on task, budget and deadline. Payment is often tied to this schedule.

Working in this way may be a challenge for some artists but the commissioned art process can be a satisfying and enriching experience, especially when artists get to share their artistic vision with the community. We hope we answered your questions about the commission process and how to submit a winning RFQ or RFP. And we hope to see your qualifications or proposals soon!